Katherine Pierce – more photos

Here are the rest of the pics from my photoshoot at the lighthouse (we took a loooot of photos; these are just my favorite picks.)

Warning – image heavy post!

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Katherine Pierce – bodice, part two

I had to put this project on the shelf for a little while because of the convention and making costumes for that.  The last time I blogged about this costume, I had finished constructing the bodice and was getting started on the skirt.  I’m still a little frustrated with the skirt and it’s taking some time to work through the issues I’m having with it, but today I took some time to (almost) finish trimming the bodice.

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Melody’s pink ball gown from The Little Mermaid 2

My sister’s pick for Anime Central this year was Melody in her pink ballgown from The Little Mermaid 2… and since there’s nothing I love more than a big fluffy ballgown, I was excited to tackle this project, which I thought would be fairly easy.  Rather, it should have been quite easy, but due to a combination of stress, extreme busyness, and tiredness and a lack of motivation on my part, this gown turned into a frustrating project that I had to slog through.

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the Ciel “roses” gown – part one

I mentioned in my last post that I’ll be going to Anime Central in May.  I haven’t been to an anime convention in at least ten years, but it’s a wonderful chance to dress up and show off my costumes, so I’m going this year!  I started working on my costume this week, and I’ve made pretty good progress, if I do say so myself!

I’m going with my little sister, and she was the one who picked our characters.

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I’ll be going as the girl version of Ciel from Black Butler.  which means I get to build a big, frilly ball gown!

I planned things out, and decided what changes I wanted to make to the original idea.  the story is set in the Victorian era, in the late 1880s, so I wanted to make my costume more reflective of that period of fashion than it is in the anime.  even the best-made versions of this gown I’ve seen still look… well, costumey, so I aimed to make mine look more like a real outfit from that time, a formal gown that a woman might have worn at that time.  also, I wanted to change the color scheme from pink and white to pink and ivory, just out of personal preference.

I went fabric shopping this weekend… and really was disappointed, even more so than I usually am by my local fabric store.  they didn’t have much in the colors I was looking for.  as for fabric, I was determined to avoid satin – again out of personal preference; I don’t like shiny fabrics – and in the end I went with cotton calico, because they had both the colors and yardage I needed.  it’s not as fancy as I’d have liked, but then again, this is a costume – something I’m going to be traipsing around in for hours, something that’s going to get dirty and probably stepped on.

I started working on the bodice on Sunday.

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this was my first draft, which ended up fitting the best.  I pinned it on my dress form with canvas, and then cut a mock-up out of a lighter weight cotton.  the only alteration it needed was to cut the armhole a little smaller, so I was good to go!

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the inner layer of the bodice is two layers of a heavier cotton calico that I had laying around.  I put two bones at every seam and along the darts.  I used cable ties for a few reasons: I had some available, for one, and I didn’t want this thing to be as heavy as a corset.  the inner lining is heavy enough to keep the bodice up on its own, but the bones give it that little extra support.  the shape was important to me, because a gown like this would have been worn over a corset in period, but I didn’t want to actually have to wear a corset under my costume, for reasons of comfort.

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here’s the bodice with the outer layer attached.  I made a mistake, and cut the fashion fabric using my first un-altered pattern, and so the arm holes were a little too deep.  I didn’t realize until I had the thing put together.  I left it that way because I didn’t feel like taking it apart, and because it doesn’t make a difference in how the bodice fits.

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the pleated trim was just a tube of the ivory fabric turned inside out and pleated to fit.  I somehow miscalculated and ended up with twice the length I needed for the top of the bodice… but no worries, because I need a mile of pleats for the underskirt, so I’m a bit ahead of the game there.

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the bodice is finished!  it looks bad on my dress form, but it fits me to a tee.  it laces up the back with grommets.  I debated a back-lacing bodice versus one that closed in the front, and went with back-lacing for two reasons: the gown in the anime does have a corset-ish black ribbon decoration up the back, and I thought it would look better than a front-closing gown with all that stuff right smack in the front.  plus, I have seen a fashion plate with a back-lacing bodice on a ball gown, so I can call it period accurate 😀

I bought a grommet setter, and this project was the first time I used it.  I’ve always used an awl and a hammer to set grommets in the past, but after slicing my hand open for the third time with my awl, I got frustrated, and decided to give the tool a try.  I’m pleased with the way it works, after I got the hang of it!  (my first few grommets came out pretty ugly, though!)  I still don’t like the idea of punching holes in fabric – I think the awl is better – but it sure is quicker.

the black trim is grosgrain ribbon.  the rose comes from a bouquet I deconstructed.  the bow is the same ivory cotton which I painted with black fabric paint to get the stripes just right.  I never thought of using fabric paint in this way before, but I’m pleased with the end result.

next week, I’ll tackle the skirts.  I already have the ivory underskirt pattern made, and the skirt is finished except for needing hemming.  then I have to figure out how to drape the pink overskirt, and of course I have to trim the both of them with a gajillion pleats.  the pleating and the trim is going to be the worst part of the whole outfit, so if I can get it done on my next off week, I’ll be golden!